Editors' Choice for October 2025

Album cover for Iconoclasts

Iconoclasts

Year0001

The Swedish composer, singer, and keyboardist shifts musical focus to embrace dark indie pop without sacrificing her doomy Goth aesthetic.

— Thom Jurek

Album cover for Some Like It Hot

Some Like It Hot

Matador

Bolstered by cleaner production and confident playing, the London trio's poetic, mischievous, raucous, and heartbroken songs take on new life.

— Heather Phares

Album cover for Returning to Myself

Returning to Myself

Brandi Carlile Band / Interscope / Lost Highway

Produced with Aaron Dessner, Justin Vernon, and Andrew Watt, a love of keyboards and the '90s informed the tunesmith's tender, pensive eighth solo LP.

— Marcy Donelson

Album cover for Unfold in the Sky

Unfold in the Sky

Bella Union

The trippy full-length solo debut of Penelope Isle's Jack Wolter is often delicate, overstimulating, and fascinatingly otherworldly at once.

— Marcy Donelson

Album cover for Talulah's Tape

Talulah's Tape

Carpark Records

Thrilling amalgamation of indie pop and rock styles -- from C-86 to shoegaze to lo-fi -- delivered with equal amounts of deftness and energy.

— Tim Sendra

Album cover for We're Headed to the Lake

We're Headed to the Lake

Julia's War / Winspear

The second album from this frenetic indie rock band arranges a spectrum of familiar influences into new, engaging shapes.

— Fred Thomas

Album cover for hooke's law

hooke's law

XL Recordings

A world-weary but purposeful second album from the singular avant-R&B singer, songwriter, and producer.

— Andy Kellman

Album cover for For Dinah

For Dinah

Candid

A simultaneously reverent and creative tribute to Dinah Washington, produced by the Grammy-winning vocalist and Christian McBride.

— Andy Kellman

Album cover for Corporal

Corporal

Sonic Cathedral

The duo underwent a hard reset and emerged with an album that's more experimental while dialing up the violent dreaminess and even venturing to the dancefloor.

— Tim Sendra

Album cover for Fatal Optimist

Fatal Optimist

Anti-

Heartbroken yet hopeful, the follow-up to the Grammy-nominated Weird Faith serves as the stripped-bare final installment of a breakup trilogy.

— Marcy Donelson

Album cover for Ace

Ace

Verve Forecast

The L.A. singer/songwriter's emotional third record reflects a personal sea change.

— Timothy Monger

Album cover for Off the Record

Off the Record

International Anthem

This double-length compiles four EPs cut in live session with a range of players and mixes them together.

— Thom Jurek

Album cover for FEMME FATALE

FEMME FATALE

Sony Music / Sony Music Latin

The Mexico-based Chilean singer/songwriter, a big band, and special guests use jazz, soul, ranchera and/bolero to reclaim the title for feminist manifesto.

— Thom Jurek

Album cover for Slacker

Slacker

K Records

Dense and foreboding indie rock spliced with psychedelia, prog, and experimental noise, played with exploratory, subtle fury.

— Tim Sendra

Album cover for Time Won't Bring Me Down

Time Won't Bring Me Down

Dirtnap Records

The Texas punk band take sonic detours into midtempo indie rock, jangling melancholy pop, and more introspective territory with positive results.

— Tim Sendra

Album cover for Ruin

Ruin

Felte

Spanning rave-inspired anthems to long, dark nights of the soul, the group's sixth album is among their finest.

— Heather Phares

Album cover for Cut & Rewind

Cut & Rewind

drink sum wtr
R&B

The Nile Rodgers-approved "discodelic" vocal group turns up the heat with an even more dancefloor-oriented third album.

— Andy Kellman

Album cover for Worldwide

Worldwide

Third Man Records

The Nashville punks' relentless second album delivers seriously playful anthems of disconnection and overwhelm.

— Heather Phares

Album cover for Krok

Krok

Mr. Bongo

The band's fourth album is jazz- and MPB-influenced easy listening that's never boring, instead it wraps the listener in a soft cloud of sound.

— Tim Sendra

Album cover for Stereotype

Stereotype

Warp

First released in 1994 and unavailable until Warp reissued it 31 years later, Tom Jenkinson's first effort is filled with stomping acid hardcore.

— Paul Simpson

Album cover for The BPM

The BPM

Stones Throw

A highly energized and pleasure-seeking third album from singer, songwriter, and violinist Brittney Parks.

— Andy Kellman

Album cover for We Are Love

We Are Love

BMG / BMG

The legendary group return with a deeply felt, heavily nostalgic record that blends sounds from all eras, and it sounds like no other band.

— Tim Sendra

Album cover for From The Pyre

From The Pyre

Island

The U.K. group's sophomore effort follows in its predecessor's bedazzled footsteps, delivering lusty thespian rock to the masses with wit, warmth, and swagger.

— James Christopher Monger

Album cover for I'm Nice Now

I'm Nice Now

Domino

The band's third album delivers high-intensity hardcore, but also churning grunge, hard rock swagger, and even a couple of melody-adjacent songs.

— Tim Sendra

Album cover for Songbird

Songbird

Son of Jessi

Ten songs from the outlaw icon's archive of unreleased 1970s recordings capture him in strong, subtle form.

— Mark Deming

Album cover for Teal Dreams

Teal Dreams

Virgin
R&B

A sonically and lyrically rich follow-up to the MOBO nominee's 2023 debut, this draws more from her Caribbean heritage.

— Andy Kellman