Editors' Choice for September 2025

Album cover for Allbarone

Allbarone

Heavenly / Heavenly Recordings

With the help of Paul Epworth's shimmering production, the debauched poet of the London scene has made his most accessible record yet.

— Tim Sendra

Album cover for Cicero Nights

Cicero Nights

DeepMatter

Debut by James Weir's Chicago ensemble weds spacy, lush modern jazz to atmosphere, soundtrack, library music, and soul.

— Thom Jurek

Album cover for Michelangelo Dying

Michelangelo Dying

Mexican Summer

The seventh solo album from this producer/songwriter deepens the specificity of her murky, abstract art rock sound and features guest vocals from John Cale.

— Fred Thomas

Album cover for SWEET TOOTH

SWEET TOOTH

drink sum wtr

The loved-up first album from a genre-agnostic singer/songwriter and producer shaped by her Lagos-to-London upbringing.

— Andy Kellman

Album cover for Nueva Timba

Nueva Timba

Blue Note

On his second Blue Note release the jazz pianist integrates timba, post-bop, Latin jazz, Spanish classical music, and more in a dazzling set.

— Thom Jurek

Album cover for My Life Matters

My Life Matters

Blue Note

On his third Blue Note date, the drummer/composer completes a poignant work of resistance and edification that was eight years in the making.

— Thom Jurek

Album cover for Joni's Jazz

Joni's Jazz

Rhino

A multi-disc box that reveals a self curated journey that detailing jazz's enormous influence on the artist's career from Blue to Shine..

— Thom Jurek

Album cover for Mount Crystal

Mount Crystal

Ghostly International

The left-field pop artist joins early collaborator Bullion on Ghostly International with an anguished if buoyant first album.

— Andy Kellman

Album cover for Cover Girl

Cover Girl

Big Crown
R&B

Disco, funk, and especially gospel factor strongly in the singer and songwriter's uplifting fourth solo album.

— Andy Kellman

Album cover for Diabolico

Diabolico

Naïve

Several less-familiar takes on the devilish theme, some transferred to the violin, and all played with great precision.

— James Manheim

Album cover for DJ-Kicks

DJ-Kicks

!K7

Highly adventurous mix album from the German duo, incorporating polyrhythmic techno, club rap, and dubstep.

— Paul Simpson

Album cover for Au

Au

Stones Throw
R&B

Funkier and restorative second album from the Houstonian singer/songwriter, produced by Sa-Ra's Shafiq Husayn (Erykah Badu, Robert Glasper).

— Andy Kellman

Album cover for Purity Ring

Purity Ring

The Fellowship

Inspired by classic RPGs, the duo's stirring fourth album artfully uses fantasy and nostalgia not to escape reality, but to inspire a better one.

— Heather Phares

Album cover for Dark Sky Reserve

Dark Sky Reserve

Memphis Industries

An intensely spooky and vulnerable second album recorded with Ali Chant (PJ Harvey, Aldous Harding) and members of Portishead and This Is the Kit.

Album cover for International

International

Heavenly / Heavenly Recordings

The band's collaboration-studded final album harkens back to the stylishly nostalgic sound of their early work while still coming across as resolutely up-to-date.

— Tim Sendra

Album cover for Better Broken

Better Broken

Concord

The beloved Canadian singer/songwriter's first set of original material in a decade delivers emotion and a timely message of resilience.

— Neil Z. Yeung

Album cover for Shrunken Elvis

Shrunken Elvis

Western Vinyl Records

A sleek and satisfying amalgam of jazz fusion, ambient, and hi-fi guitar music from this experimental Nashville trio.

— Timothy Monger

Album cover for The Cords

The Cords

Skep Wax Records / Slumberland

Two teenage sisters from Scotland deliver an all bops, no flops debut brimming with tuneful, jangly vintage indie pop.

— Marcy Donelson

Album cover for 40

40

Clue Records

A career-spanning collection of tracks by the consistently gripping indie pop/rock band whose songs always pack a painfully realistic emotional wallop.

— Tim Sendra

Album cover for Odessey and Oracle

Odessey and Oracle

Beechwood Park / Q Prime

This remastered reissue of the band's 1968 psychedelic chamber pop master work presents the songs in their original mono mix.

— Fred Thomas